"New Waves in Cinema" - Sean Martin
http://moodle.kinged6nun.ac.uk/pluginfile.php/33611/mod_resource/content/0/New%20Waves%20in%20Cinema%20%28Sean%20Martin%29%20chapter%20.pdf
"The term "Nouvelle Vague" or "new wave" first appeared in the French magazine L'Express in October 1957, and referred to the post World War II generation of French Youth, who were
"French Cinema from its beginnings to the present" - Remi Fournier Lanzoni
Chapter 5 - The years of the French New Wave
"In the late 1950's, the emergence of the film director as the undisputed authority in all areas of film production (mine-en-scene, photography, script, thematic and artistic choices) was a direct result of a growing trend called politique des auteurs (authorism) that proclaimed the future predominance of a new cinema"
"The changes created a sense of diversity in cinema. Never before had an artistic movement revealed itself to be so seminal and influential, creating breathing space for creativity both in France and abroad."
"The New Wave camera work represented a radically different concept both in content and form. The traditional perception of cinematography, held by the tradition de qualite, which corroborated a visually flawless photography and concealed to audiences the work of true film artists, vehemently resisted the new trend."
"French Cinema from its beginnings to the present" - Remi Fournier Lanzoni
Chapter 5 - The years of the French New Wave
"In the late 1950's, the emergence of the film director as the undisputed authority in all areas of film production (mine-en-scene, photography, script, thematic and artistic choices) was a direct result of a growing trend called politique des auteurs (authorism) that proclaimed the future predominance of a new cinema"
"The changes created a sense of diversity in cinema. Never before had an artistic movement revealed itself to be so seminal and influential, creating breathing space for creativity both in France and abroad."
"The New Wave camera work represented a radically different concept both in content and form. The traditional perception of cinematography, held by the tradition de qualite, which corroborated a visually flawless photography and concealed to audiences the work of true film artists, vehemently resisted the new trend."
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